Building with Straw
by
Ron Hornung

Part 2 One Builder's Approach...

 


Given that we continue to live with pressures that disconnect us from the sustenance of the natural world, and of community, it makes sense to look for some ways to strengthen these connections by our building practices. It is assumed that a nature-based, or Earth-based approach to how we shelter ourselves is sustaining and desirable.

Appropriate criteria can be developed in response to some questions that reflect this basic assumption. Questions can be expected, to bring forth information through intuition and through logic, which will point to an instinctive ordering of priorities… At each level or stage, the process is grounded in observation and decision-making that, once in place, informs subsequent choices. Once the fundamentals are "right," the design or plan will have a natural logic and integrity that cannot easily be altered without starting over with a different set of basic assumptions. Everything is connected in ways that are often overlooked.

 

Some NATURAL Questions

1. In what ways does your home connect you to, or separate you from, nature, the Earth?

2. How comfortably does your home fit its setting, its site, in terms of shape and appearance, the contours of the land, the landscape, and natural growth? Are there some ways nature could help you out if the current fit is awkward?

3. What kinds of materials were used to build your home? Where did they come from? How much did/do they cost? What are the embedded costs? What skills were needed?

4. What are some ways your home is responsive to the Sun, in terms of solar heating, photovoltaic possibility, daylighting, sunrise, sunset, and sunny outdoor spaces?

5. To what extent is your home energy-efficient in terms of insulation and tightness, consumption of fuel, lighting and appliances, and the quality, size, and placement of doors and windows? How efficiently is water used?

6. Does your home reflect a long-term commitment to your community, in terms of closeness to work, nearness to shops, and sharing with neighbors?

7. What are some ways that your home reflects, or could reflect, your humanity, your personality, your uniqueness, and your ideals?

8. To what extent do the answers reflect a regard for the basic assumption of inescapable environmental accountability implicit in the questions?

9. What earth-based values or qualities emerge as desirable underpinnings
(a foundation for the foundation) for home-building?

10. What if we take some BALES OF STRAW and stack them like big bricks?
PYRAMIDS ARE LONG-LASTING AND HARD TO TIP

Stewart Brand, in How Buildings Learn, suggests a useful way to categorize the fundamental elements of a home as it is being planned…Designing from the ground up…EARTH-the ultimate foundation…underlying everything…at the SITE-a particular place in a particular bio-region…to develop a STRUCTURE-providing strong connection and support…for the SKIN-which covers and shelters… and contains SPACE-that embraces our lives… providing places both for SERVICES-that bring comfort and convenience…and for the STUFF-that expresses our Selves … so that our house will have SOUL, will be a home-and the design of our home will have the timeless integrity of a pyramid…with a bedrock foundation…each stage fully integrated in a natural order… long-lasting…hard to tip…

What has this got to do with building a home with bales of straw?


*

__soul__


_____stuff______


_______services_______


___________space____________


_________________skin__________________


___________________structure____________________


_________________________site___________________________


______________________________earth_______________________________


The Earth is the BASE. Each element, as it is integrated into a project, can reinforce a connection with this strong sustaining foundation. Integration is inescapable if there is a regard for wholeness, and if there is the understanding that what is being built is not merely on or in the Earth, but of and from the Earth, as well…a profound connection…
What if we take some BALES OF STRAW and stack them like big bricks?

YES, BUT WHAT ABOUT BEAUTIFUL? WILL IT BE BEAUTIFUL?

Whole-ness is beautiful
From the beginning, look for beauty at each stage of the building process, and in the behind-the-seen, as well as in the apparent, or seen. Deep or timeless beauty derives from an integration of these seemingly unrelated aspects. This is not a superficial matter of dressing up something plain with a surface of traditional aesthetic qualities. The process of integration makes it impossible to separate "skin deep" from "what's inside". Inside and outside are inseparable, and the integrity deriving from this regard for wholeness, is beautiful. Each element or detail, in doing its "job", also contributes at the same time, in some way, to wholeness. Again, "…when you build something you cannot merely build that thing in isolation, but must also repair the world around it, and within it, so that the larger world at that one place becomes more coherent, and more whole, and the thing which you make takes its place in the web of nature, as you make it." (Christopher Alexander, A Pattern Language)

"Hole"-ness and Harmony contribute to beauty
Awareness of the importance of "left-over", "in-between", "negative", or "empty" space that exists around or between actual things (which can be thought of as "positive" shapes) is one of the basic perceptual skills that enable artists to do what they do. It is easily learnable and should be fundamental to any approach to beautiful design. Part of its power derives from the fact that cognitive functions are shut down while perceptual capabilities are activated. There is also a metaphorical quality that might even be regarded literally-the perception of the connectedness of all things through the "emptiness" that embraces all.
Another thing an artist understands instinctively is that the natural human inclination to seek harmony and beauty lies partly in striking an intuitive balance between the repetition of visual elements and variation. Too much repetition is dull, boring, to the eye of the beholder, while too much variety leaves a chaotic discomforting appearance.

Sustainability and Integrity as Beauty
Humans will gradually eventually find themselves living sustainably. We can get there by developing an attitude which respects the natural world, or we can be forced there by Earth's response to our experiments with what is unsustainable. There is no simple set of rules to follow, or things one should do. It means thinking on several overlapping planes in order to instinctively integrate human activity into the web of nature. Our efforts gain power and efficiency and meaning as we attach elements of support and layers of purpose to them. It is not hard to perceive how a building material that is chosen out of regard for many criteria will be Better than one reflecting only a few. The more functions and positive qualities a building element has, the more power and meaning there will be.
Intrinsic beauty and integrity flow from the density that develops in this way.

WHAT IF WE TAKE SOME BALES OF STRAW…?
explore-observe-organize-imagine-integrate-facilitate-
create…evaluate…celebrate…the possibility


A Process Pyramid-from the ground up

*


__celebration__

evaluation

__________creation_________

Integration-facilitation

_______________imagination________________

observation-organization

_____________________exploration_____________________

nature

________________________________Earth________________________________

Creation

A Process for Designing and Building ( or other human activity )

Exploration-looking around-"beginner's mind"-nature's sources and resources
WHAT ARE THE POSSIBILITIES-ALL THINGS CONSIDERED
Observation-looking carefully-to develop awareness-paying attention to nature
ONE EYE ON THE DETAILS, ONE ON THE WHOLE, ONE ON ALL ELSE
Organization-looking at- understanding patterns and relationships-
PRIORITIES-HOW POSSIBILITIES RELATE TO WHAT IS
Imagination-looking to-picture-intuitive information, creative solutions
PICTURING NEW POSSIBILITIES-PROBLEM-SOLVING
Facilitation-creation-looking how-to make things-creativity, skills, empowerment
DOING IT IN COOPERATION WITH NATURE
Integration-looking for-fit-what is man-made takes its place in the web of nature
DOING IT WITH INTEGRITY-ON-GOING PROCESS
Communication-looking outward-building community-sharing experience
COOPERATION
Evaluation-looking over-meaning-is it sustaining?-sharing experience
FEEDBACK-WHAT ARE THE COSTS? BENEFITS?
Celebration-look out!-acknowledgment, appreciation, affirmation-MOVIN' IN!


A STRAWBALE RESPONSE

What if we take some bales of straw and consider their suitability as a building material in light of criteria distilled from careful observation and common sense…?


The Uncommon Sense of a house of STRAW…

…minimally processed,
not far removed from its natural form,
natural product of biological activity,
non-toxic, bio-degradable

…inexpensive with minimal embedded costs
available from local sources
contributing to the local farming economy

…can be installed quickly
without special skills or experience
making it ideal for owner-builders
and for a community "house-raising"
empowerment opportunity--personal and social

…"waste as food"-use an agricultural by-product
as a substantial contributor to high quality shelter while
reducing the need for consumption of other "costlier" materials

…outstanding insulation value-warmth and coolth
long-term implications for comfort without consumption

…timeless beauty…hand-crafted surfaces,
deeply recessed windows, in its integrity

 

 

 

Conscious Design Magazine - Straw Bale Ron Hornung Part 2
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